Perhaps no Utah governor in modern memory comes to the office with a broad...Read More
A New Code
Made—and Played With—in Utah
Head of the Class
A ‘Can-do’ Spirit
Welcome to Utah
If You Build It
Right on the Money
A Power Trip
More than Meets the Eye
Derek B. Miller
Spencer P. Eccles
Utah has earned a reputation for offering visitors hardcore activities that get the adrenaline going: skiing, rock climbing, and mountain and road biking, among plenty of others. But Utah has a softer side, too. Arts and cultural attractions statewide offer plenty of things to do when heart rates return to normal—and they’re reason alone to come pay a visit as well.
“The line is disappearing between recreation and arts and culture customers, especially in the summer,” says Visit Park City President and CEO Bill Malone, whose seat at the table of the State Board of Tourism Development gives him a statewide perspective.
The slogan “Utah: Life Elevated”® gets to the heart of the experience of visiting the State: it isn’t only about what you see, but also what you feel, according to Leigh von der Esch, Managing Director of the Utah Office of Tourism.
Increasingly, what visitors are feeling is luxurious. In recent years—in a down economy, von der Esch points out—four major luxury brands have opened lodging facilities in Utah: Montage Deer Valley, The St. Regis Deer Valley, Waldorf Astoria Park City and, near Lake Powell, the Amangiri, one of only two Aman resorts in North America.
The decision to build in Utah is proving a wise one. For example, Montage Deer Valley’s Dan Howard reports that the resort’s average daily rate from December 2010 – April 2011 was thought to be one of the highest in the nation.
With the plethora of new luxury properties, in addition to the award-winning Grand America Hotel and long-time favorite Stein Erickson Lodge, it’s no wonder Luxury Travel named Utah a top destination in 2011.
Roll the Credits
From Butch Cassidy and the Sundance Kid to The World’s Fastest Indian, from Touched by an Angel to High School Musical, Utah has been a star of the big and little screens for years. But few films have generated the excitement that Disney’s John Carter is causing.
“It could be the Harry Potter of sci fi—and it was shot in Utah,” says von der Esch.
According to Marshall Moore, Director of the Utah Film Commission, John Carter is the largest-scale production ever shot in Utah. It spent more money in the State than any film in history, and over the course of 45 days in 2010, scenes were shot in six distinctly Utah locations: Lake Powell, Big Water, Delta, Hanksville, Moab and Kanab. The film was recently released in March 2012.
There’s a tangible relationship between filming in Utah and tourism. In 2011, for example, Canyonlands National Park had an 8 percent jump in visitation. “Much of that came from the fact that we had the film 127 Hours come out last year,” says Marian DeLay, Executive Director of the Moab Area Travel Council. “Now everyone wants to come see where Blue John canyon is.”
Close by at Dead Horse State Park, enough people visit where 1991’s Thelma and Louise was filmed that the location where Susan Sarandon’s and Geena Davis’ famous car-over-a-cliff closing scene was wrapped up is now unofficially named “Thelma and Louise Point.” The Utah Film Commission publishes a brochure, Filmed in Utah, with a map to these and other filming sites.
“There is no greater billboard than when a move is made here,” says von der Esch, who adds that DVD releases and the accompanying extra footage and features give a film a “long shelf life” that helps promote the State for years after it leaves the theaters.
Salt Lake City’s theatrical offerings cover a wide spectrum. The Pioneer Theatre Company stages well-known musicals and plays such as The Producers and Romeo and Juliet; Hale Centre Theatre caters to families with the likes of The Sound of Music; the edgy Salt Lake Acting Company is known for its annual and satirical Saturday’s Voyeur; and the Rose Wagner Performing Arts Center’s three venues, including the landmark Capitol Theatre and elegant Abravanel Hall, feature dance, music and plays that run the gamut from world-class to experimental.
The performing arts aren’t relegated just to Utah’s capital city. Cedar City’s esteemed Utah Shakespeare Festival celebrated its 50th Anniversary in 2011. Attendance was up 3 percent, says Maria Twitchell, Executive Director of the Cedar City-Brian Head Tourism Bureau, who adds that the festival’s addition of the “mega popular” Les Miserables to its 2012 schedule should bring even more playgoers to the area.
Farther south in Ivins, Tuacahn Amphitheatre had a “phenomenal” year, attracting 196,000 out-of-town guests for a 38 percent increase over 2010, according to Roxie Sherwin, Marketing Director of the St. George Area Convention and Visitor Bureau. Its relationship with Disney is a huge draw. “They showed Little Mermaid and sold out (all 25) performances,” she says.